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Just because there's a lack of blood doesn't mean that the kids in Japan, or even kids in general, shouldn't be taught that these moments happened and that they can be violent in actuality. Also, in the last episode there is a semi-major character death in real-time, and that moment isn't handled in a "kiddy" way. Though these situations might be censored in a sense due to the lack of blood, it's nice to see that BONES wasn't trying to downplay what exactly happened in these moments. For example, every episode starts off with a history lesson regarding some part of Japan's shift towards the Meiji Era (like the creation of the Shinsengumi) and some of this history involves people dying as well as general violent situations. But at the same time Hiwou's War doesn't really dumb down anything to make it "safe" for the kids.
#GATE KEEPERS ANIME MECHA SERIES#
From the young main characters (the oldest members of the group are teenagers and the youngest is an actual baby) to the lack of harsh violence (there are battles, but none of them are bloody) to the overall message of "Don't fight! Let's celebrate life instead!", you can easily see that BONES aimed this series at young audiences. Using Homura, Hiwou and the others head off in search of Hiwou's father, who they hope can help them take on the Wind Gang and maybe even show the citizens of Japan that peace is still what's most important.įirst & foremost, Hiwou's War is, by far, a children's show. During the attack Hiwou and the others come across a giant clockwork that his father made called Homura, which has the ability to transform from a carriage-like device into a large, human-esque figure. One day, though, a group calling themselves the Wind Gang, who use clockworks and steam in order to force Japan into a new Industrial Era, invade Hiwou's village, causing great destruction and even resulting in the death of Hiwou's mother. Hiwou's father, though, left his family a few years back with the hopes that he could return one day with a better life for his family.
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In a small village lives a boy named Hiwou, who with his family and friends run a clockwork festival every year, showing off their great skills with these new creations. It's been eight years since the Black Ships came and now both steam power as well as karakuri/clockwork creations have become very popular with the Japanese. The Japanese would call these the "Black Ships", and a year later Japan would open itself to the influences of modern civilization. Navy came to Japan with four battleships, demanding that Japan open trade relations and end their era of isolation. But regardless of why this show was licensed it must be said that Hiwou's War is, in fact, an enjoyable and pretty original take on a mech anime. Either that, or BONES threw it in with another title as part of a package deal (much more likely). And, honestly, I fully believe that the only reason Bandai Entertainment licensed this show back in 2006, calling it Clockwork Fighters: Hiwou's War (a more or less accurate translation), is because they hoped that the BONES name would help out with sales. But this is the Land of Obscusion, so let's instead look at BONES' very first solo work! Though the studio debuted in 1998 and helped out with productions such as Escaflowne: The Movie, it wasn't until late 2000 that the studio came out with a production of its very own: Karakuri Kiden Hiwou Senki.
#GATE KEEPERS ANIME MECHA TV#
From Angelic Layer to Fullmetal Alchemist (both TV series) to Darker Than Black to Eureka Seven and many other titles, a new BONES work is usually anticipated fairly highly. GaeKeeper 21 8.The anime studio BONES is barely 13 years old yet has become a very prominent force in anime today. It sadden me Hiroshi Yamaguchi couldn’t bring out the same feeing to Rosario+Vampire. On the other hand Ayane growth as a character and her acceptance of MIyu/Miu as friend was quite touching. Miu/Miyu Struggle to find her role as a gatekeepers and her final resolve are some of the shows aspect that I enjoy. I will have to give credit to Hiroshi Yamaguchi for being capable in directing GK21. The reappearance of Yukino and Reiji are both appreciate and finally the sequel ended nicely as both Ayane and Miyu grew a little inside. At first I was overjoyed knowing that Ayane from GK 21 could be their child but that theory got shot down fast when you consider her family name Isuzu. Something’s I’m quite disappointed about, my Ruripee never got the man she wanted. Currently watching Tower of Druaga, it’s a nice follow up on his (Koichi Chigira) work. I'll have to say I'm quite please with the show, Junichi Sato and Koichi Chigira work both shine in Gate Keepers the TV series. Just finish watching GK TV and GK 21 OVA.